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Do the Work

Overcome Resistance and Get Out of Your Own Way

by Steven Pressfield

|Black Irish Entertainment©2015·112 pages

Steven Pressfield created a trilogy on mastering the creative process and winning our battle with Resistance. The War of Art kicked it off, this is the second installment with the final Turning Pro. In the book, Pressfield walks us thru a specific project and shows us how to deal with Resistance at each stage. Big Ideas we explore incude starting before you're ready, keep working (!), and SHIP!!


Big Ideas

“This book is designed to coach you through a project (a book, a ballet, a new business venture, a philanthropic enterprise) from conception to finished product, seeing it from the point of view of Resistance.

We’ll hit every predictable Resistance Point along the way—those junctures where fear, self-sabotage, procrastination, self-doubt, and all those other demons we’re all so familiar with can be counted on to strike.

Where butts need to be kicked, we shall kick them. Where kinder, gentler methods are called for, we’ll get out the kid gloves.”

~ Steven Pressfield from Do the Work

Steven Pressfield has created a trilogy on the creative process: The War of Art, Do the Work and Turning Pro. I’ve read each of them multiple times.

They’re really (!) good. Concise, inspiring, awesome. (And, of course, we have Notes on all three.)

Do the Work is the second installment in the trilogy where Pressfield walks us through how to move through Resistance as we approach the three phases of any creative project—specifically, Beginning, Middle and End.

It’s PACKED with Big Ideas. I could literally open any random page and pull a Big Idea to create this Note. (Get the book here.)

For now, I’m excited to share some of my favorite Big Ideas so let’s jump straight in!

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On the field of the Self stand a knight and a dragon. You are the knight. Resistance is the dragon.
Steven Pressfield
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Everybody who has a body experiences resistance

“We’re wrong to think we’re the only ones struggling with Resistance. Everyone who has a body experiences Resistance.

Henry Fonda was still throwing up before each stage performance, even when he was seventy-five.

In other words, fear doesn’t go away. The warrior and the artist live by the same code of necessity, which dictates that the battle must be fought anew every day.”

One of the biggest issues we can ever face in our lives is the thought that our challenges are somehow unique to us—that a) we’re the only ones experiencing fear/Resistance/fill-in-the-blank-negative-thing + b) we’re experiencing it because something is inherently wrong with us.

That’s a fantastic recipe for ick sauce.

My coach Steve Chandler once wisely pointed out: “You’re not experiencing this stress/etc. because you’re YOU. You’re experiencing this because you’re HUMAN.”

← That’s a huge (!) distinction.

Researchers on self-compassion call this having a sense of common humanity. It’s *INCREDIBLY* liberating.

Here’s how Kristin Neff puts it in her great book Self-Compassion (see Notes): “Sadly, however, most people don’t focus on what they have in common with others, especially when they feel ashamed or inadequate. Rather than framing their imperfection in light of their shared human experience, they’re more likely to feel isolated and disconnected from the world around them when they fail.”

That sound like you at times?

Remember: It’s not because it’s YOU. It’s because you’re human.

Give yourself permission to be human. And the next time you feel the nerves kick up a notch or ten, remember that Henry Fonda—one of the greatest actors EVER—was throwing up before every stage performance at 75 (!) years old.

Let’s embrace the fact that we’re experiencing fear because we care. Let’s remember the fact that we’re not alone. And let’s channel that energy in constructive ways!

Rule of thumb: The more important a call or action is to our soul’s evolution, the more Resistance we will feel toward pursuing it.
Steven Pressfield

Start before you’re ready

“Don’t prepare. Begin.

Remember, our enemy is not lack of preparation; it’s not the difficulty of the project or the state of the marketplace or the emptiness of our bank account.

The enemy is Resistance.

The enemy is our chattering brain, which, if we give it so much as a nanosecond, will start producing excuses, alibis, transparent self-justifications, and a million reasons why we can’t/shouldn’t/won’t do what we know we need to do.

Start before you’re ready.”

The enemy is our chattering brain.

You ever get inspired—super clear on a creative vision? And then that little voice in your head takes over the airwaves and tells you all the reasons you’re not ready/it’s not a good idea/blah to the blah blah blah?

Ignore that voice.

Get started.

As Pressfield says, start before you are ready.

Ready, fire, aim.

Once we’ve taken that first shot, we can see how close we are to our target. But if we just sit there *thinking* about shooting, we’ll never know.

Don’t prepare. Begin.

Now.

P.S. Pressfield is the one who turned me on to Patricia Ryan Madson’s brilliant Improv Wisdom (see Notes). She’s all about letting go over the over-preparation and just showing up as well. Here’s how she puts it: “Just show up. This principle is deceptively simple: Just show up. Where we are makes a difference. Move your body toward your dreams—to where they’re happening—the gym, the office, the yoga class, your kitchen, the improv class, the garage, a cruise ship, the word processor, the construction site, the senior center, the theater. You know where. Be there physically…

It’s surprising how powerful the third maxim is. How often we avoid showing up for the things we need to do in life. Procrastination, laziness, fears—it’s easy to find a reason for not going. The ‘just’ in this maxim reminds us that showing up is already enough. Woody Allen quipped that it is ‘eighty percent of success.’ Prerequisites such as motivation, desire, and warm, fuzzy feelings aren’t necessary. It is a con to imagine you must have these to get going. Improvisers know this. If they had to wait for inspiration or a good idea, few scenes would ever begin. Players step onto the stage because that is where things are happening. They just show up. Then the magic begins.”

P.P.S. Remember this W.H. Murray gem that Pressfield shares: “Until one is committed, there is hesitancy, the chance the draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents and meetings and material assistance which no man could have dreamed would have come his way. I have learned a deep respect for one of Goethe’s couplets: ‘Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it.’ Begin it now.”

When we say ‘Stay Stupid,’ we mean don’t self-censor, don’t indulge in self-doubt, don’t permit self-judgment.
Steven Pressfield
Ignorance and arrogance are the artist and entrepreneur’s indispensable allies. She must be clueless enough to have no idea how difficult an enterprise is going to be—and cocky enough to believe she can pull it off anyway.
Steven Pressfield

Keep Working

“Stephen King has confessed that he works every day. Fourth of July, his birthday, Christmas.

I love that. Particularly at this stage—what Seth Godin calls ‘thrashing’ (a very evocative term)—momentum is everything. Keep it going.

How much time can you spare today?

For that interval, close the door and—short of a family emergency or outbreak of World War III—don’t let anybody in.

Keep working. Keep working. Keep working.”

As I mentioned in the intro, this book is basically a guide through a personally relevant creative project. Once we get the ball rolling, we need to keep the ball rolling. How?

Keep working. Keep working. Keep working.

Your Resistance will rear its head and tell you all the reasons why your project—which had so inspired you mere hours before—totally sucks. Ignore that voice. Keep working.

The greatest creators get this. They know how easy it is to lose the momentum and have their ideas fizzle away in a cloud of doubt. They know that the simple act of SHOWING up consistently is what invites the muse to join them in their creative endeavors.

Here’s how Stephen King puts the importance of working hard in his classic On Writing (see Notes): “What follows is everything I know about how to write good fiction. I’ll be as brief as possible, because your time is valuable and so is mine, and we both understand that the hours we spend talking about writing is time we don’t spend actually doing it. I’ll be as encouraging as possible, because it’s my nature and because I love this job. I want you to love it, too. But if you’re not willing to work your ass off, you have no business trying to write well—settle back into competency and be grateful you have even that much to fall back on. There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer station. He lives in the ground. He’s a basement guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think this is fair?

I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist (what I get out of mine is mostly surly grunts, unless he’s on duty), but he’s got the inspiration. It’s right that you should do all the work and burn all the midnight oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life.

Believe me, I know.”

Remember: Keep working. Keep working. Keep working.

Once we commit to action, the worst thing we can do is to stop.
Steven Pressfield
Did I forget to say? Keep working.
Steven Pressfield

Thoughts vs. Chatter

“Have you meditated? Then you know what it feels like to shift your consciousness to a witnessing mode and to watch thoughts arise, float across your awareness, and then drift away, to be replaced by the next thought and the thought after that.

These are not thoughts. They are chatter.

I was thirty years old before I had an actual thought. Everything up until then was either what Buddhists call ‘monkey mind’ chatter or the reflexive regurgitation of whatever my parents or teachers said, or whatever I saw on the news or read in a book, or heard somebody rap about, hanging around the street corner.

In this book, when I say ‘Don’t think,’ what I mean is: don’t listen to the chatter. Pay no attention to those rambling, disjointed images and notions that drift across the movie screen of your mind.

Those are not your thoughts. They are chatter. They are Resistance.”

Thoughts vs. Chatter.

There’s a big difference between the two. And, a wonderful, inverse relationship between them. In short, more chatter = less thoughts.

Want to increase the quantity and quality of actual creative thoughts? Reduce the chatter.

How?

Well, that’s the focus of our entire work together! :)

Create a solid foundation of physiological health. Exercise. Eat well. Sleep. Train your mind. Reduce consumption of meaningless media. (← That’s a big one. If you want to create something meaningful—whether it’s a play or a biz or a great family—you’d be wise to notice how often your mind is chewing on the latest TV show you watched vs. how you can optimize!)

Pressfield tells us: “Where do our own real thoughts come from? How can we access them? From what source does our true, authentic self speak? Answering that is the work you and I will do for the rest of our lives.”

Here’s to doing the work one baby step at a time for the rest of our lives!

Ship!!!

“Why does Seth Godin place so much emphasis on ‘shipping’?

Because finishing is the critical part of any project. If we can’t finish, all our work is for nothing.

When we ship, we declare our stuff ready for prime time. We pack it in a FedEx box and send it out into the world. Our movie hits the screens, our smart phone arrives in stores, our musical opens on Broadway.

It takes balls of steel to ship.”

Those are the first words of the final section of the book: END.

We have the BEGINNING where we conceive and initiate the project. The MIDDLE where we do the work. And the END where it’s all about one thing: SHIPPING!

After fighting through all the initial Resistance, we meet the final and perhaps the most difficult challenge. It’s time to share our work with the world. It’s time to ship.

There are the grand moments of showing up on Broadway or in the store, but those moments only arrive if we muster the courage to do all the little micro ships along the way.

Send the email. Publish the blog post. Update the copy on your web site. Initiate a long-anticipated conversation.

Ship. Ship. Ship.

I feel this Resistance every day. Every single time I write a Note like this or record a PNTV episode, that little voice of Resistance pops up and tells me all the reasons why it’s not *that* great and gives me plenty of reasons to make it perfect before I ship.

Of course, there are typically edits that need to be made, but much more often, it’s just my perfectionist, Resistance-powered little self showing up. So, I wave hello to that fear, and I ship.

It’s a practice for me—disciplining myself to FINISH and send my work out into the world. Knowing full well that it’s not perfect, but valuing the process of finishing more than trying to achieve the impossible perfect ideal.

How about you?

What do you need to ship in your life?

Would it be a good idea to strengthen your shipping muscles? How can you do that?

From the day I finally finished something, I’ve never had trouble finishing anything again. I always deliver. I always ship.
Steven Pressfield
He knew that Resistance was strongest at the finish. He did what he had to do, no matter how nutty or unorthodox, to finish and be ready to ship.
Steven Pressfield

The Dream

“Sometimes when Resistance is kicking my butt (which it does, all the time), I flash on Charles Lindbergh. What symphony of Resistance must have been playing in his head when he was struggling to raise the funding for his attempt to fly across the Atlantic solo?

‘You’re too young, you’re too inexperienced; you’ve got not credentials, no credibility. Everyone who’s tried this has failed and you will, too. It can’t be done. Your plane will crash, you’re going to drown, you’re a madman who is attempting the impossible and you deserve whatever dire fate befalls you!’

What saw Lindy through?

It can only be the dream.

Love of the idea.

How cool would it be, in 1927, to land at Le Bourget field outside Paris, having flown from New York, solo and non-stop, before anyone else had ever done it?”

I got a big smile typing those last words.

It’s 1927.

No one had ever flown solo and non-stop across the Atlantic. A big prize was established for the first one to do it. Some of the best aviators of the day had died trying.

You’re an unknown kid who thinks he can do it.

Imagine the Resistance you’d get (internal + external) trying to make that happen!!!

What would sustain you? The DREAM.

Simple question: What’s YOUR dream?

This is my dream: _____________________________________________________

__________________________________________________________________

When we experience panic, it means that we’re about to cross a threshold. We’re poised on the doorstep of a higher plane.
Steven Pressfield

Start again!

“I was living in a little town in northern California when I finally, after seventeen years of trying, finished my first novel. I drove over to my friend and mentor Paul Rink’s house and told him what I had done. ‘Good for you,’ he said. ‘Now start the next one.’

That’s what I say to you now.

Take the rest of the day off. Take your wife or husband out to dinner. Pop some champagne. Give yourself a standing ovation.

Then get back to work. Begin the next one tomorrow.

Stay stupid.

Trust the soup.

Start before you’re ready.”

That’s the last passage in the book. Pressfield’s endings to each of his books are simply genius.

As Joseph Campbell tells us, the great life is one hero’s journey after another. Finish one dream project? Well done. Take the rest of the day off. And start again tomorrow! :)

I don’t care of you fail with this project. I don’t care if you fail a thousand times. You have done what only mothers and gods do: you have created new life.
Steven Pressfield

About the author

Steven Pressfield
Author

Steven Pressfield

American author of historical fiction, non-fiction, and screenplays.